Ella Ella
Writer/Top liner
Ella Ella, aka Vera Bohl, is a trained pianist and vocalist based in London. She often works in Berlin and out in the US as a top-liner and writer. An artist once herself, EllaElla recorded her Folk and America influenced debut EP in Nigel Goodrich’s studio with producer Paul Grady. Her band included Arni from the Vaccines and George Ezra’s guitar player David Klinke as well as Blond’s Drummer Sim.
She has written with and worked on:
Helene Fischer, James Arthur, Blooms and many more.
Contact: vera (at) studioweek.co.uk
Iris Gold – Steve McQueen
Vera Bohl – Summertime I had You
Manou – Sadie
Echo Child
Artist
20 years old Echo Child is StudioWeeks latest signing. Previous member of VT, the frontman Andres, Echo Child is now working on his solo material.
THE LABEL
The Label – SW Records
SW Records is a East London based music label.
The main focus is on finding new talent and putting out great music.
Some of our releases include:
CRSH – Hit and Run
Manou – Sadie
P*Nut – Africa
Manou – Down To The Sea
Find out more about SW records here
or download our brochure here
Find us on Socials:
Contact: hello (at) studioweek.co.uk
Showstudio Playstation Neon E Roulette
In April 2007, SHOWstudio staged Revue – a live ‘happening’ in association with PlayStation 3.
The event was attended by an intimate audience of fifty guests at a secret London location, all action broadcast live on SHOWstudio. Revue created a dynamic performance space in which six different ‘zones’ were defined by a series of experimental situations that took inspiration from fashion, music or art.
Auditions were open to the public, each submitting images or video to propose their Revue performance documented online alongside the original brief.
StudioWeek created a unique concept for the Roulette Room named ‘Neon E Roulette’.
Acts on the night included: Neon E Roulette; Russell Sage; Strip Me Bare; CWTCH; Natalie Monroe; Aitor Throup and Jez Tozer; and Natalie Fish and During Revue, members of the audience were given video cameras on which to document the evening’s events. The dynamic revelry of the performances was documented by the guests themselves: the rushes from the night were used in the final edit of a film, and their impromptu imagery is also showcased in a gallery of stills.
